Dr. Joni Richards Bodart can design a booktalking program for a specific grade level or for an entire school curriculum.

 

 

The Killer's Cousin

 

 

 

 

 

 

 

 

 

Blood and Chocolate

 

 

 

 

 

 

 

 

 

Voices After Midnight

 

 

 

 

 

 

 

 

 

Silver Kiss

 

 

 

 

 

 

 

 

Are You Alone on Purpose?

 

 

 

 

 

 

 

 

Buried Onions

 

 

 

 

 

 

 

 

 

 

Burning Up

 

 

 

 

 

 

 

 

 

 

 

 

Whirligig

 

 

 

 

 

 

 

 

 

 


Category: Other Realities
The Killer's Cousin,
by Nancy Werlin
Blood and Chocolate,
by Annette Curtis Klause
Voices After Midnight ,
by Richard Peck
Silver Kiss
,
by
Annette Curtis Klause

Category: Something for Everyone
Are You Alone on Purpose?
,
by Nancy Werlin
Buried Onions ,
by Gary Soto
Burning Up ,
by Caroline Cooney
Whirligig, by Paul Fleischmann

The Killer's Cousin, by Nancy Werlin

My name’s David, and I was only 16 when I discovered that there’s a before, and an after, and once you have crossed the line between them, you can never go back, no matter how much you’d like to. I crossed that line when I killed Emily. It didn’t matter that I hadn’t meant to do it or that I was acquitted. All that mattered was that Emily was gone, and I was the one responsible for it.
My parents didn’t understand that. They wanted to pretend that things could go back to the way they were before, and just go on with their lives. But that wasn’t going to happen. I’d already crossed that line.
I couldn’t live in Baltimore any longer, and I had to repeat my senior year because I’d spent too much of it sitting in a courtroom, so my parents sent me to live with my aunt and uncle and cousin in Massachusetts. I didn’t know them; my mother and aunt had been feuding for years. The last time I’d seen them had been four years ago, when Kathy, their older daughter, had committed suicide. But they had room for me, the attic apartment where Kathy had committed suicide, and a private prep school in Cambridge had accepted me. So I went.
I had no idea what I was getting into, what was going on in that house, or in the apartment they gave me. But it didn’t take long to find out. That first day I discovered two things—that neither my eleven-year-old cousin Lily nor her mother wanted me there, and that my apartment had strange shadows, and humming, buzzing noises that he couldn’t identify. Who, or what, was I sharing it with?
Something was wrong, very wrong—and I had to figure out what.
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Blood and Chocolate, by Annette Curtis Klause

What’s it like to run wild and free in the forests of the night? To feel your human body change into a beautiful sleek wolf’s body? What’s it like to be feared and hunted, and to see your friends and family killed in cold blood? What’s it like to live in fear of being discovered as something more than human—a werewolf?
Vivian knows how all those things feel because she is a werewolf. Her pack came from Europe in the 1600s and lived in the hills of West Virginia until a year ago, when two girls were killed and one of the pack members was accused of their deaths. The pack was burned out of their homes, and some of them, including the pack leader, Vivian’s father, were killed. Now they live in the Maryland suburbs and quarrel among themselves as the younger males compete to become the new pack leader.
But Vivian wants nothing to do with the power struggle, or the age-mates who also compete for her attention. She has done the unthinkable, the impossible—she has fallen in love with a “meat-boy,” a human. A human who writes hauntingly real poems about being a werewolf, and the power and sensuality of changing from human to wolf. Vivian is certain that Aiden is the one person who can accept her as a human and as a wolf, the soulmate she’s been hungering for and hasn’t found among her pack-mates.
Is Vivian really in love with her true mate, or are the other members of the pack right when they tell her she’s just fooling herself? Can a human and a werewolf find love and mate for life?
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Voices After Midnight , by Richard Peck

It was supposed to be a vacation—two weeks in New York while my dad reorganized his firm’s Manhattan office. But it turned out to be something completely different. Dad rented this huge townhouse for us to stay in, and my little brother Luke and I had the bedrooms on the third floor. It started that first night when I woke up and heard voices, a boy and a girl. They were talking about how cold it was, and he was trying to reassure her. He kept saying he was sure they’d be rescued.
When I woke up again it was dawn, and I could see the curtains blowing in the wind. I got up and looked outside. The street was empty, no cars at all. A man stood in the street with a cart full of milk cans. As I watched, he poured some milk into a bucket and took it to the house next door. When I leaned out to see him better, I saw my sister Heidi sitting in her nightgown on our front steps. I couldn’t believe it—Heidi, outside in her nightgown, at dawn? I started to call her but then I realized how tired I was and just went back to bed.
Later I opened my eyes to bright daylight, and when I looked at the windows, I suddenly remembered—the house had central heating and air conditioning. The windows were all nailed shut! Where—when—had I been?
Chad, Luke, and Heidi were in New York and in that townhouse for a very specific reason. The whispering voices they could all hear grew weaker and weaker. They had to figure out what to do before the voices died away completely, forever.
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(Adapted from a talk by Joni Richards Bodart in World’s Best Thin Books)

Silver Kiss , by Annette Curtis Klause

Zoe felt as though everyone was leaving her. Her mother was dying of cancer, and her father was so concerned about his wife that he had all but forgotten he had a daughter. And now, Lorraine, her best friend, was moving to Oregon. She sat in the park in the shadowy darkness, thinking, “Soon I’ll be all alone.”
Just then she saw someone step out of the gazebo into the golden pool of light cast by a streetlight. He was slight, pale, with dark eyes and light, silvery hair. He was dressed completely in black. As she realized how beautiful he was, she started to cry. He saw her tears and fled, vanishing as silently as he’d appeared. Zoe was left alone, crying for all she had lost.
Simon couldn’t stop thinking about the girl, how beautiful she was—dark like the night, pale, and thin, so very thin, almost as though one of his brethren had already claimed her. But no, she didn’t have that smell about her. She was untouched. He was surprised to find himself thinking about her. He didn’t usually think about people or want to talk to them. They were food, and one didn’t talk to food. Still, he found himself wanting to see her again, to be with her, talk to her, maybe even kiss her—with the silver kiss, the one that would make her his forever.
So, on Halloween night, after the trick-or-treaters had come and gone, Zoe opened her front door and invited the real monster inside.
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(Adapted from a talk by Joni Richards Bodart in World’s Best Thin Books)

Are You Alone on Purpose?, by Nancy Werlin

Maybe it all happened because Alison always felt like she could never be herself, just Alison. She was always the other one, the good one, the twin who wasn’t autistic, to her parents, her friends, the other kids at school. She was Adam’s sister. That was all.
Maybe it happened because Harry was so angry,
lison was almost always alone,
Alison was almost always alone,

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--Joni Richards Bodart


Buried Onions , by Gary Soto

I live in the part of Fresno where fences sag, paint blisters on houses, and swamp coolers squeak like squirrels. The old sit on porches, fanning themselves, watching the young guys work on their cars, and mothers push strollers of fretful, crying babies.
There isn’t much for me to do except eat, sleep, watch out for drivebys, and remember all the men in my family who are gone. I dropped out of City College right after Jesus, my cousin, was killed, just because he told another guy he had yellow shoes. The guy just turned around and stuck a knife into his chest. My father, my uncles, my best friend from high school, and now my cousin, all are dead. It seems like I am surrounded by the dead, and by the living who expect me to avenge their deaths. But I don’t want to—there has been more than enough killing, and I will not be a part of making it continue.
I live alone, stencil house numbers on the curbs to get by, and refuse to answer the phone, so I can avoid my aunt, who wants me to avenge my cousin’s death, and I watch my back, because even though I never ran with the gangs or vatos locos, it still pays to be careful and quick as a rabbit. And now I also have to avoid Angel, who wants me to help him kill Jesus’ murderer, and Samuel, who wants to mess with me for reasons of his own.
It seems that no matter what I do, even when I think I am doing the right thing, life jumps up when I’m not looking and slaps me down. Isn’t there any way out of this life? Any way I can be like other people, with a home, a job, a family, food on the table and money in my pocket? Or am I stuck in the barrio with sadness of its buried onions forever?
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Burning Up , by Caroline Cooney

There was no doubt they wanted to stop her- the old barn that burned in 1959 was not something they were comfortable talking or thinking about. But Macey refused to stop. She wanted to know why it had started, if it had been arson, who had lived there, and what had happened to him. And her questions got even more intense after two things happened. She learned that Wade Sibley, science teacher, had been the first black person to move into the pink and white Connecticut town. And Macey was in a fire herself.
Four kids went to Good Shepherd, a black getto church, that Saturday to help paint the Sunday School classrooms, Macey, her best friends, Grace and Lindsay, and Austin, who lived across the street from Macey’s grandparents. The teamed up with four black kids from the church and started painting. But it was hot and the paint smelled awful, so Venita and Macey opened a door to the outside. Minutes later, they smelled smoke and ran to tell the others. But the fire was too quick, and Macey’s long luxurious hair caught fire. If Austin hadn’t quickly yanked off his t-shirt to smother the flames, Macey would have been badly burned. And none of them would’ve survived, trapped by the fire behind a padlocked door, if the fire engines hadn’t been so close and gotten there so quickly.
Black teacher in 1959 and Black church in 1997; somehow they were connected. But the deeper Macey looked the more anger and denial she found, and the more unhappy she got about the ugly little secrets she was discovering, from her grandparents, from Austin’s grandparents, from her own parents, and also from the townspeople who had lived there 38 years ago.
And finally Macey begins to realize that while doing something wrong is evil, so is ignoring that wrong, covering it up, or just being indifferent to it. Who were the evildoers in 1959? Who are they today?

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Whirligig, by Paul Fleischmann

It only took a moment. Brent closed his eyes and took his hands off the wheel. He didn’t remember the actual impact, just the police and ambulance lights flashing, and a policeman who told him he’d escaped with only a minor head injury. He’d failed. He’d have to go back to the kids at school who’d laugh and jeer at him, to knowing he’d never fit in no matter how hard he’d tried, to knowing there would be no end of everything for him. But then he was told everything had ended for Lea Zamara, the 18 year old high school senior who’d been driving the car he hit when his car went out of control. She was dead.
Brent went numb. He was a murderer. Instead of killing himself, he’d killed a pretty, popular girl who made people happy just by being around her. He was alive. Lea was not. And there was nothing he could do that would even bring her back or take away his guilt. He was charged with drunk driving and manslaughter and was placed on probation.
But it didn’t end there. Brent met with Lea’s mother, who told him her daughter had spread joy her entire life, from when she was a baby, and her favorite toy was a whirligig. Lea’s mother wanted Brent to make whirligigs in Lea’s memory, so her spirit of joy could live on. He was to go to the four corners of the United States and build whirligigs, take pictures of them and bring them back to her.
And so Brent’s second life began. His first had ended with the crash. His second began with he stepped onto the first of many busses that would take his all over the country.
No one lives alone, and there are no accidents. Our lives touch others in ways we cannot anticipate and we may never even know about. Go with Brent on his journey and discover how the whirligigs changed not only his life, but also many others.

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